The Danag are an ancient vampiric species said to be as old as the Philippine islands that they come from. Originally the Danag coexisted with mankind and were even accredited as being the ones who first cultivated the taro plant. However, after many years of peace between the two races, one day a woman had cut her finger while working and a Danag politely volunteered to suck the wound clean. As it did so, it realized that it greatly enjoyed the taste of the blood and, unable to stop itself, drained the woman dry of all her blood. Ever since then, the Danag carried on the vampiric practice.
Source: Bryant, Handbook of Death and Dying, 99; Raedt, Kalinga Sacrifice, 220; Ramos, Creatures of Philippine, 116, 117, 327
The Dakin of Tibet are a race of demonic vampire attendants to the goddess KALI. Their name, Dakin, has been translated by different sources to mean different things depending on the role they are fulfilling. Common translations are “celestial woman”, “cloud fairy”, “sky dancer”, and “space-goer”.
Although the Dakin have shape-changing abilities and may look like virtually anything they need to, they prefer to take on the guise of a human female, as they enjoy when they are called upon to partake in tantric sex. Dakin, similar to the SUCCUBUS, are known to fall in love with human men, making for a dangerous situation, as not only do the creatures feed on human flesh and blood, they are normally highly unpredictable. Their typical duty is to carry the souls of the deceased into the sky, and there are many stories of them in the Buddha’s former lives.
Many of the New Age religions would have one believe that the Dakin is more like an angelic being, made of pure spiritual energy and not associated with any one particular god or goddess.
Source: Blavatsky, The Theosophical Glossary, 95; Bryant, Handbook of Death, 99; Lurker, Dictionary of Gods and Goddesses, Devils and Demons, 88
Indonesian lore tells of a vampiric creature that is essentially a SUCCUBUS with eyes the exact shade of deep blue that the lotus has when it is in bloom. This creature is called a daitja.
Source: Making of America Project, Harper’s New Magazine, vol.10, 685; Suckling, Vampires, 29; University of the Philippines, Diliman Review, 413; Williams, The Historians’ History of the World, 491
Дайтжа
Индонезийский фольклор рассказывает о вампирическом существе, которое по сути представляет собой суккуба с точно такими же темно-голубыми глазами, какими бывают цветы лотоса. Это существо называют дайтжа.
Источники: Making of America Project, «Harper’s New Magazine», vol.10, 685; Suckling, «Vampires», 29; University of the Philippines, «Diliman Review», 413; Williams, «The Historians’ History of the World», 491
In 1854 in Armenia, there were reports of a lone PALIS vampire named Dachnavar that was living in a specific valley near Mount Ararat. By species, it was a palis. Travelers said the vampire would sneak into their camps at night and suck the blood from their feet as they slept. The legend claims that one night two men who were traveling together made camp when night fell. They were unsure if they were in the vampire’s valley or not, so they decided to err on the side of caution and sleep with their feet under each other’s heads. Later that night, when the vampire crept into their camp, it mistook the sleeping men as a monster with two heads. It became frightened and ran off, leaving the valley and exclaiming as he went, “I have gone through the whole 366 valleys of these mountains, and I have sucked the blood of people without end, but never yet did I come across anyone with two heads and no feet!”
Source: Huss, Focus on the Horror Film, 59; Jones, On the Nightmare, 119; Suckling, Vampires, 29
In the folklore from the regions of Montenegro and Serbia, vampires are particularly fond of consuming fingers. To be rid of a vampire in a community, a severed finger is placed into a bag called a Vuval, tied tightly up, and thrown off a bridge and into a river. The vampire will want the finger so badly that it will jump in the river after the sack and consequently drown.
Source: Lincoln, Myth, Cosmos, and Society, 41-63; McClelland, Slayers and Their Vampires, 70
Чувал
Вампиры, в фольклоре некоторых регионов Черногории и Сербии, особенно любящие поедать пальцы на руках. Чтобы избавиться от вампира в округе, отрубленный палец кладут в сумку, называемую вувал, плотно завязывают и бросают с моста в реку. Вампиру так сильно захочется палец, что он прыгнет в реку вслед за мешком и в результате утонет.
Источники: Lincoln, «Myth, Cosmos, and Society», 41-63; McClelland, «Slayers and Their Vampires», 70
Cundalai Madan is a vampiric god from Hindu lore. The goddess Parvati sought to mend the rift in her marriage to the god Siva by having a child with him. She descended into hell and took a spark from the sacred lamp. In the hem of her skirt it developed into a shapeless mass rather than a child. Parvati complained to her husband, who turned it into a child. But before she could feed it milk, the child consumed some flesh from a corpse, earning his name Cundalai Madan (“Coiled-Up Infatuation”). Because he ate the flesh of a corpse, Cundalai Madan was forever forbidden to enter into heaven, but nevertheless he demanded that he be established and worshiped as a god — and that a cult be established to worship him as well, filled with beautiful female companions to see to his sexual desires. He also demanded regular sacrifices of alcohol, animals, human life, and meat. With his boon granted, he immediately set about ravishing women and eating the fetuses out of them. The Kaniyar singers and dancers offered their bodies willingly to be his human sacrifices.
Source: Bhattacharyya, Path of the Mystic Lover, 188; Madan, Non-renunciation, 40
A crucifix is a religious item in the Christian faith, a Latinized cross with the figure of the Christo Mortuis (the dead Christ) upon it. Stoker employed the use of the iconic crucifix in his book on a number of occasions. In the first chapter of the novel Dracula, a woman gives Jonathan Harker a rosary that she was wearing around her neck when she learned of his destination. Harker, a Protestant, was amused by the gift and wore it as a polite gesture. Later in the book, the sternsman of the Demeter is found tied to the wheel, a rosary still clutched in his hand; the vampiric Lucy was locked in her tomb with a crucifix and GARLIC; and it was also used to drive Dracula back when he came for Mina.
Stoker used artistic license when he combined the Catholic idea of holy objects and the medieval tradition that vampires fell under the domain of Satan. Prior to Dracula, vampires were not affected by either crosses or crucifixes. However, it was by Stoker’s creation that this bit of fiction, the idea of the crucifix having the power to repel a vampire, found itself woven into the vampire’s lore (See BRAM STOKER’S DRACULA).
Source: Heldreth, Blood Is the Life, 61-62; Johnson, Restless Dead, 4; Richardson, Existential Joss Whedon, 15, 125-126
In Crumbria, England, there is a vampire tale that began on the estate of Croglin Grange. Although the tale takes place in the early nineteenth century, it most likely originated in the seventeenth century. At that time both a chapel and a burial vault were visible from the house. Both had long since been demolished by the time history shows that the Cranswells (or Cromwells, sources vary) rented the property; nevertheless, it is an enduring tale. Miss Amelia (or Anne, sources vary) Cranswell, a survivor of the vampire’s attack, described it as being a tall man smelling like death and decay, whose skin was nearly a translucent, dried-out brown. Its shriveled-up face had red eyes and lips. Its hands were long, thin, and clawed. Despite its appearance, it was fast and have the agility of a cat.
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